Copies: Too Good to Be True

Le Corbusier, Eames, Jacobsen, Knoll, Bertoia, Saarinen or Sarfatti: copies of iconic pieces are everywhere, even when they are not allowed in serious fairs and sales.

Some are well made and can be difficult to identify, which makes vigilance essential.

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Eames Lounge Chair

Copies often use the story of the designer and the reputation of the original model to create confusion. They may look convincing in photos, especially on online marketplaces, but they do not have the same value as an authorized edition.

A copy is not only a financial risk. It also ignores the intellectual property of the designer and can hide weaker materials, simplified construction and lower safety standards. It may also have a heavier environmental impact when produced far away with little control.

Undesignable advice

Document yourself, compare materials and finishes, visit fairs and galleries, and ask questions. Weight, screws, welds, labels, leather quality and proportions can all reveal important clues.

If there is doubt, ask a specialist, a foundation or the publisher. Prefer recognized dealers and request a detailed invoice including the model, designer, date, maker, material, edition and possible restorations. And above all, be careful when a deal looks too beautiful to be true.

Cécile Ybert

Design is a plan for arranging elements in such a way as best to accomplish a particular purpose.

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